by Woody LaBounty
"S.F.'s Neighborhood Movie Houses Going the Way of Model T"
"35 single-screens have closed since '80"
--- San Francisco Chronicle, March 17, 2000
"Coronet's Future in Doubt"
--- San Francisco Chronicle, January 29, 2000
The recent acceleration in the demise of single-screen movie houses has me doing an unusual thing—writing a eulogy for a movie theater that closed eleven years ago. 1
The Coliseum on Clement street closed in 1989, knocked out by the Loma Prieta earthquake before inevitable economics could do it in.
If you grew up in San Francisco twenty years or more ago, then you probably had your movie theater: the neighborhood palace in walking distance whose swirled carpet patterns and chipped gilded accents you knew intimately.
The big green Coliseum acted as the centerpiece for many of my childhood adventures. I passed it on my way to school every morning and short-cutted through the alleys around it to get to Woolworth's. In the summer the Coliseum hosted a children's film festival of sorts with a different movie shown everyday, usually each two or three decades old.
I can still remember the sculptured relief of a woman with flowing hair on the ceiling, riding what looked to me like a surfboard, high above the always-closed balcony (sneaking up there one day with a friend ranks high in childhood triumphs).
The Coliseum wasn't the Richmond District's first theater. The Chutes Theater, attached to the Chutes amusement park on Tenth Avenue and Cabrillo Street, ended vaudeville shows with short films as early as 1902. The Elite Theatre, near Sixth Avenue and Clement Street, did a short, and perhaps shady, business in 1907. Richmond District researcher John Freeman notes "The Elite was closed down in December 1907 when there was a crackdown on nickelodeons which did not have at least two exits to the street." 2
The Palm Theatre, at the northeast corner of Sixth Avenue and Clement Street, opened on Saturday, November 9, 1907. Later that month a competitor, Fishers' Theatre, opened on Seventh Avenue and Clement with "the very latest European and Eastern Novelties in Moving Pictures." Writer Anita Day Hubbard reminisced about Fishers' in the San Francisco Bulletin back in 1924: "The admission was five cents. The place was very small and dark, and the screen waved in the draughts, and the pictures were pretty bad." 3
The district and the movie industry both grew. By 1913 the "Clement" had risen for a short existence on the corner of Nineteenth Avenue. Farther out, on Twenty-third Avenue, the La Bonita opened. Current movie-goers know the La Bonita as the 4-Star, still holding on despite a few threatened closures.
The Lincoln Theatre (originally "the Richmond"), on Sixth Avenue between Clement and Geary, was in Ms. Hubbard's words "the first pretentious house to be built" in the area. One longtime Richmond District resident remembers weekends at the Lincoln: "Adults couldn't go to the matinees because of the number of screaming excited kids. It was just a madhouse."
The Coliseum opened in November 1918 with a Mary Pickford film (Johanna Enlists), a Mack Sennet comedy, and a newsreel on the bill. The dedication drew Mayor Rolph and all the dignitaries the neighborhood could muster. 4
A little over a year later the house was expanded to handle the "theatrical demands" of the district. A thousand seats were added to bring the capacity to close to 3,000. The owner Samuel H. Levin assured the public:
I shall endeavor to maintain in the redecoration the same homelike atmosphere that has made the Coliseum unique among picture theaters, by using only soft neutral shades, luxurious carpets and an indirect lighting system, eliminating all startling colors and over-ornate decorations, so often found in the theaters. 5
In 1929, the Coliseum welcomed sound to the movies. Vitaphone and Movietone equipment were installed, making it a "talkie" house. Al Jolson's The Jazz Singer inaugurated the new technology at the Coliseum in February of that year. 6
To get an idea of how a movie theater could define a neighborhood, one need only look at the names of nearby businesses in 1937: Coliseum Bakery, Coliseum Beauty Shop, Coliseum Furrier, plus a haberdashery, a market, a pharmacy and a shoe store. You won't see an "AMC" dry cleaners or a "Century Theatres" bakery these days.
Most of the Richmond's theaters found a way to hang on. The 4-Star and Bridge became art houses, offering independent and foreign films to attract audiences from the whole city. The Balboa hit on a good formula showing second run films as double features for a reasonable admission price.
The Alexandria, with its 1920s Egyptian motif, had to tear its magnificent screen into bits and become a mini-multiplex. Now there's talk that the mighty Coronet, renovated just a few years ago, is on shaky ground. If a blockbuster showplace like the Coronet is in trouble, the end of all these palaces seems grimly inevitable.
On October 17, 1989, the Coliseum had a 5:45pm show scheduled. The Giants and A's were about to start Game 3 of the World Series, so there may only have been a handful of folks preparing to see the film when the earthquake hit.
Right after the upheaval, United Artists talked of repairing the Coliseum quickly. But it never happened. The last movie to play in the great green house was "Field of Dreams." You may remember the film featured a disembodied voice that promised Kevin Costner, "If you build it, they will come."
For seventy years they did.
Read more memories of the Coliseum in Pat French Swendsen's column!
1. When I wrote this piece in 2000, the Alexandria, Coronet, and 4-Star were still in business. By 2005, the landscape had changed. See each theater's page for more detail.
2. Thanks to John Freeman, who has done a lot of work tracking the small nickelodeons and theaters of the Richmond, all of which I haven't detailed here.
3. Hubbard, Anita Day, Cities Within a City, n.d. (Drawn from San Francisco Bulletin columns, this bound book is at the San Francisco History Center of the San Francisco Main Library.)
4. San Francisco Chronicle, November 18, 1918.
5. San Francisco Examiner, February 25, 1920.
6. San Francisco Chronicle, February 14, 1929.
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